安徽境内是青阳腔和徽调、徽班的发祥地,也是推动我国戏曲发展的一个重要策源地。研究我国近代戏曲,不能不探求清代安徽戏曲的历史面貌。本文试对清代安徽戏曲活动及其流变,作一简略论述。 安徽省始建于清·康熙六年(1667)辖安庆、庐州、颍州、太平、池州、宁国、徽州等八府、四州以及广德等四个直隶州,至辛亥革命(1911)时止,辖境基本未变。在这二百六十年间,安徽戏曲经历了丰富而又复杂的艺术演变,从而出现一个繁荣昌盛的局面。为便于阐明这个历史时期的戏曲活动,大体上以太平军在安徽活动为界限,即自清咸丰三年(1853)太平的军攻占安庆时起,至同治二年(1863),太平军退出广德州止,划分为三个阶段,其间既有连续性、继承性又有各个阶段的活动特征。 康熙至雍正两朝(1662—1735)约80 Anhui is the territory of Qingyang and emblem of the emblem, the birthplace of emblem classes, but also to promote the development of Chinese opera an important source. Study of modern Chinese opera, can not but explore the history of Anhui opera in the Qing Dynasty. This article tries to make a brief discussion on the activities and changes of Anhui opera in Qing Dynasty. Anhui Province was founded in Qing Dynasty Emperor Kangxi six years (1667) jurisdiction Anqing, Luzhou, Yingzhou, Taiping, Chizhou, Ningguo, Huizhou and other eight prefectures, four states and Guangde four Zhili, to the Revolution of 1911 ), The territory basically unchanged. During these two hundred and sixty years, the traditional opera in Anhui Province experienced a rich and complex artistic evolution, which led to a prosperous situation. In order to clarify the opera activities in this historical period, the Taipings largely expired on the basis of the activities of the Taiping Army in Anhui Province, that is, from the peaceful capture of the peace Taiping since the Qing Xianfeng three years (1853) to Anqing and to the second year of Tongzhi (1863) Texas stop, divided into three stages, during which both continuity, succession and activity characteristics of each stage. About 80 during Kangxi and Yongzheng Dynasties (1662-1735)