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2、时代造就的戏曲声腔——徽调 戏曲的生存发展,固然依赖适当的生活环境即社会条件,然而最根本的还是戏曲艺术本身的生命力,即戏曲创新与开拓的艺术功能,以适应社会文化的发展趋势。这是决定某一种戏曲艺术兴衰存亡的基本规律。而声腔则是戏曲效应最敏感、个性最鲜明、生命力最活跃的艺术因素。徽调的诞生正是顺应艺术演变潮流,冲浪而起,应运而生的声腔艺术。明末清初在我省境内所发生的戏曲艺术的大演变,就是徽调声腔系统的演变,这一演变影响着我国近代戏曲艺术的面貌。探求梳理其演变的脉络,难度较大。因为各种声腔交错影响,你中有我,我中有你,品种既多,而又名称不一;民间戏曲声腔的曲谱,极少保存下来,而腔谱却是研究声腔演变的重要资料;明清诸家多以个人见闻著
2, the sound of the opera created by the times - the survival and development of the emblem opera, although dependent on the appropriate living environment that is the social conditions, but the most fundamental is the drama of the vitality of the arts itself, that opera drama innovation and pioneering artistic function to adapt to social culture The trend of development. This is the basic law that determines the rise and fall of a certain kind of opera art. The sound cavity is the most sensitive opera effect, the most distinctive personality, vitality of the most active art factor. The birth of the emblem is precisely the artistic trend of the evolution of art, surfing, came into being of the sound art. The great evolution of opera art that took place in the territory of our province during the late Ming and early Qing Dynasties was the evolution of the tone system of the emblem of the emblem. This evolution has an impact on the appearance of modern Chinese opera art. Explore the context of its evolution, more difficult. Because of the interlace effect of various sound cavities, you have me, I have you, both varieties, but different names; folk opera soundtrack seldom preserved, while the cavity spectrum is an important study of the evolution of acoustic information; Ming and Qing dynasties and more personal knowledge of the