论文部分内容阅读
林兆华导演说过,戏剧就是玩儿。如果“玩儿”这个概念不太好理解,那么2016版北京人艺出品的《人民公敌》,可以说把“玩儿”的理念在舞台上融会贯通了。易卜生在1882年创作的散文剧《人民公敌》,是一出特点鲜明的现实主义戏剧,围绕着小镇的海水浴场的环保健康问题,孤独、近乎偏执的医生与玩弄政治手段的市长、摇摆不定的群众领袖、见风使舵的先锋报编辑及不明真相的大部分群众做出自己的抗争。作为易卜生的代表作,作者并没有立场鲜明地表示到底正确的是盲目的大众,还是少数的清醒者,而是更
Lin Zhaohua director said, drama is to play. If the concept of “play” is not very well understood, then the “People’s Enemy” created by the 2016 edition of Beijing Renzai can be said to have the concept of “play” integrated on the stage. Ibsen’s 1882 essay “The Enemy of the People,” is a striking realist drama that revolves around the health and environmental issues of small towns’ beaches, loneliness, nearly paranoid physicians, and the mayor of playing politics , Swaggering mass leaders, vanguard editors and most of the unidentified masses to make their own protests. As Ibsen’s masterpiece, the author did not stand clear that the end is correct is the blind masses, or a few awake, but more