工农主体与人民电影 以1950到1970年代的中国电影实践为例

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新中国成立以来,确立了以公有制为基础的电影生产体制,在文化上也开始塑造以工农兵为主体的人民电影。工农大众是20世纪中国文艺作品中出现的一种特殊的主体和人物形象,其显影和消隐与20世纪中国社会主义革命的兴衰有着密切关系。工人、农民顾名思义是从事工业生产和农业劳作的人,他们不只是一种行业身份和社会职业,还是一种群众运动和人民革命的阶级主体。在现代工业社会中,工农是默默无闻的乌合之众,是被损害、被侮辱和被同情的对象。而在20 Since the founding of New China, the film production system based on public ownership has been established and the culture has begun to shape the people’s movies with the workers, peasants and soldiers as the main body. The masses of workers and peasants are a kind of special subjects and characters appearing in Chinese literary and artistic works of the 20th century. The development and disappearance are closely related to the rise and fall of the socialist revolution in China in the 20th century. Workers and peasants, as their name implies, are people engaged in industrial production and agricultural labor. They are not merely an industrial identity and social occupation, but also a class subject of the mass movement and the people’s revolution. In modern industrial society, workers and peasants are unknown crowds and are the targets of being harmed, insulted and sympathetic. And at 20
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