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道家思想成为了我们研究中国王朝社会思想所不能避开的一环。而正是因为老子道家的天人合一的特殊视角造就了其后中国美术或者是汉文化圈美术的特殊美术欣赏角度。本文以道教的发展和三教之间的联系,并辅以道教题材作品《八十七神仙卷》解释中国古代美术作品是如何从道家天人合一的角度来创作表现的。
Taoism has become a part of our study of Chinese dynastic social thought can not be avoided. It is because of the special perspective of the combination of man and nature of Lao Tzu Taoism that the later art appreciation angle of fine arts of Chinese art or Chinese cultural circle. In this paper, the development of Taoism and the relationship between the three religions, supplemented by the Taoist theme “eighty-seven immortals volume” to explain how ancient Chinese art works from the perspective of harmony between heaven and man Taoist creation performance.