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在日常生活工作中,人们在社会生活交往过程中的肢体交流当属于一种举手投足、自发性、即兴式的表现状态,而在音乐、舞蹈、戏曲等艺术范畴里,肢体语言经过艺术家们的“夸张性”处理、加工后,则凸显得更为艺术化,继而通过肢体艺术的表达,艺术家可将他们的思想、作品寄托的情感内容更为直观地表现给观众。故,经过提炼加工的肢体语言,成为了一种源于生活,且高于生活的艺术化产物。在古筝教学实践过程中,对于肢体语言的明确并
In daily life work, the exchange of limbs between people in the process of social life belongs to a show of gestures, spontaneity and improvisation. In the field of art such as music, dance and opera, the body language passes through the artist ’s “Exaggeration” treatment, processing, it appears even more artistic, and then through the expression of body art, artists can their thoughts, works emotional content more intuitively to the audience. Therefore, after refining the body language processing, has become a source of life, and higher than the art of living. In the practice of guzheng teaching, the body language is clear and