在文化逻辑上,“微时代”其实是一个后福特主义的时代——这是我们今天探讨微时代媒介艺术话语表达机制的基本语境前提。首先,“后福特主义”是相对于“福特主义”而言的,就全球范围来看,福特主义阶段主要是指从蒸汽机时代开始,到1960年代为止的资本积累与现代大工业时期。而中国由于后发现代性的特殊历史语境,则是从1980年代初才真正迈入这一阶段,并在激荡中保持到21世纪的第一个十年。总体而言,福特主义阶段规模化流水线化的生产方式从根源上决定了其居于主流地位的文 In the cultural logic, “Micro Age ” is actually a post-Fordist era - this is the basic context premise for us today to explore the mechanism of expression of micro-era media art discourse. First of all, the term “post-Fordism” is relative to “Fordism.” On a global scale, the period of Fordism mainly refers to the accumulation of capital from the steam engine era until the 1960s and that of the modern big industry period. Since China discovered the special historical context of generationality, it has only really entered this stage since the early 1980s and maintained its first decade in the 21st century during the turmoil. In general, the large-scale, streamlined production of the Fordist period has fundamentally determined its mainstream status