一在传统的中国画里,有着丰富的视觉词汇,也就是此处所谈的程式——一招一式,点划泼抹都具有一定的规范性。这些不断丰富起来的视觉符号,经过了情感和意志的铸融与浸润,生成了一个又一个独具境界的图画之地,一个“人化的自然”。《芥子园画谱》上说:“古人云:有笔有墨,笔墨二字,人多不晓,画岂无笔墨哉。但有轮廓而无皴法即谓之无笔,有皴法而无轻重向背云影明晦即所谓之无墨……”从传统中国画角度看来,笔与墨和纸的随意结合不见得是画。“笔墨”有一定的规 In the traditional Chinese painting, there is a rich visual vocabulary, that is, here to talk about the program - one by one, point and draw both have certain normative. These constantly enriched visual symbols, after the melting and infiltration of emotions and wills, have created one after another a unique realm of pictures, a “humanized nature.” “Mustard Park Painting” said: “The ancients said: There are pens and ink, ink and brush are two words, many people are not aware of, the painting is inscribed. However, there is no outline of the outline of the law that no pen, Dark clouds that the so-called inkless ... ... ”From a traditional Chinese painting point of view, pen and ink and paper are not necessarily a random combination of painting. Pen and ink have some rules