清前期至中期的山水画,以“创新”和“摹古”两派对立并存于画坛,前者有一定的创造性,适合社会发展的总趋势,尽管在当时不受世人重视,但仍然在发展着;后者持“正统”的态度,符合统治者粉饰太平、稳定政治的需要,取得当权者的支持倡导。以著名画家袁江、袁耀为代表的界画派,一方 The landscape paintings of the early-middle period to the mid-term, with the coexistence of “innovation” and “” antiquity “confront each other in the art scene, the former has some creativity and suits the general trend of social development. Although it was not valued by the world at that time, While the latter held the attitude of ”orthodoxy", in line with the desire of the rulers to whitewash peace and stabilize politics and obtain the support and advocacy of those in power. To the famous painter Yuan Jiang, Yuan Yao represented by the school, one party