“两个口号”的论争是1936年中国左翼文坛上一件引人注目的大事。从茅盾具有代表性的《需要一个中心点》《关于<论现在我们的文学运动>》《关于引起纠纷的两个口号》《给青年作家的公开信》四篇文章可以看出论争过程中他的态度发生了一系列变化。三方面的因素导致了他态度的变化,同时茅盾也代表了在“两个口号”论争中处于观望、摇摆不定位置的一批人的立场和态度。 The controversy between “two slogans” was a remarkable event in the left-wing literary world of China in 1936. From Mao Dun’s representative “Need for a Center Point”, “On Our Literature Campaign Now,” “Two Slogans aroused Dispute,” and “Open Letters for Young Writers,” we can see that his A series of changes took place. Three factors led to his change of attitude. At the same time, Mao Dun also represented the positions and attitudes of a group of people who were in a wait-and-see situation in the “two slogans” debate.