安葵是研究当代戏曲的专家。八十年代,他发表了大量评论当代戏曲的文章,又对当代戏曲作家进行了系列研究。前两年,他的颇多真知灼见的《当代戏曲作家论》出版了;《戏曲“拉奥孔”》已是他的第二部专著了。莱辛在《拉奥孔》中以诗歌与绘画比较,指出了它们的不同特点和优势。安葵把自己的专著命名为《戏曲“拉奥孔”》,用意也在强调比较的方法;不过,他更跨进了一步,是在戏曲与歌舞、文学、说唱、流行艺术、话剧、歌剧、电影、电视剧的系列比较 An Kui is an expert in contemporary drama. In the 1980s, he published a large number of articles that commented on contemporary drama and conducted a series of studies on contemporary opera writers. In the first two years, many of his insightful “Theories of Contemporary Opera Writers” were published; “The Opera” Laocoon “” is already his second monograph. Lessing in “Laocoon” Lessing in poetry and painting comparison, pointed out their different characteristics and advantages. An Kwai called her monograph “Laocoon” of “opera,” with a deliberate emphasis on comparative methods. However, he took one step further and made further progress in drama and song and dance, literature, rap, pop art, drama and opera , Movies, series of TV series comparison