元代蒙古统治者的文艺政策注重治安,与程朱理学关系密切,集中打击戏曲演唱者。延祐年间的文艺禁毁只是当时立法高峰的产物,但总体相对松弛。元代文艺政策体现了蒙古族游牧文化对汉族农耕文化的冲击和整合,影响了戏曲的思想内容与艺术形式,是版本系统形成与创作中心南移的重要因素。 Mongolian rulers in the Yuan Dynasty paid more attention to the law and order in their literature and art policies and were closely related to Cheng and Zhu Neolithology, concentrating on cracking down on the singers in the opera. The ban on arts and literature during the Yau Yau Yau was the product of the peak of the legislation at the time but was relatively lax. The Mongolian nomadic culture reflects the impact and integration of Mongolian nomadic culture on the farming culture of the Han nationality and influences the ideological content and artistic form of the opera. It is an important factor for the southward shift of the formation and creation of the version system.