文章通过探讨徐在将小说《死水微澜》改编成同名川剧的过程中所采用的方法和技巧,明确了小说客体性到戏曲主体性和小说从文字艺术到戏曲音乐艺术的两个转化对于改编者和改编的意义,同时,这两个转化最终实现了从小说到戏曲的再创造。最后,徐的大胆探索和创新对于中国戏曲的改革也具有重大的启示意义。 By discussing the methods and techniques adopted by Xu in his adaptation of the novel “The Rams of Water and Mire” into the Sichuan opera of the same name, this essay clarifies the relationship between the subjectivity of the novel and the subjectivity of the opera as well as the two transformations of the novel from literary art into opera music art. And the meaning of adaptation, at the same time, these two transformations finally realized the re-creation from novels to dramas. Finally, Xu’s bold explorations and innovations are also of great significance to the reform of Chinese opera.