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当前,戏曲演出不很景气.有人说面临危机,有人说处于困境,反正是上座不佳.特别是省市大剧团、老剧种的演出,观众日渐减少.分析其原因,说是因为电视的兴起,争夺了观众.但也不全然.有的剧团有些剧目的演出,场场客满,接应不暇,连续演出上百场、几百场,有的已达到千场.可见观众并不是不爱看戏.在今天丰富多采的文化生活中,观众的选择范围更广了、审美要求更高了.因而,问题还在于我们拿出什么样的剧目来,出路还在于要有适应今天时代精神与观众欣赏趣味的好剧目.为使戏曲艺术实现新的突破,不少同志在创作上进行种种新的探索.人们把这些创作成果称为探索性剧目.这些探索性剧目从创作到演出都
At present, the performance of the opera is not very good. Some people say that in the face of crisis, some people say that they are in a dilemma because they are not in a good position because of the predicament. In particular, the performance of the provincial theater troupes and old operas is declining, and the reason is analyzed because of the rise of television , But also not entirely.Some troupes have some performances, the show is full, overwhelmed, continuous performance of hundreds, hundreds, and some have reached 1000. Visible audience does not love to see In today’s rich and varied cultural life, the audience has a wider range of choices and higher aesthetic requirements, so the question lies in what kind of play we come up with and the way out lies in adapting to the spirit of the times and Audiences enjoy interesting repertoire, and for the purpose of making new breakthroughs in opera art, many comrades have made new explorations and these works of art are called exploratory repertoires. These exploratory repertoires range from creation to performance