著名画家、美术史论家、美术教育家、艺术鉴藏家郭味蕖先生1908年2月15日(农历正月十四日)生于山东省潍县,先生毕生奉献于美术创作、美术理论研究和美术教育事业,对新中国美术发展做出了卓越贡献,是当代学者型画家的典范。郭味蕖先生早年受“五四”新文化运动影响,1929年入上海艺术专科学校习西画。后在“中国人更应该懂得中国画”的感悟下,1937年入故宫博物院古物陈列所国画研究室临摹古代原作,并随黄宾虹学画论及鉴赏。1951年受徐悲鸿之聘任职于中央美术学院研究部、民族美术研究所。1956年受命筹建徐悲鸿纪念馆。1959年调中央美院中国画系任教,任花鸟科主任。文革中,郭味蕖先生遭受迫害,1969年被遣返潍坊老家,1971年不幸去世。作为画家,郭味蕖先生精研传统,学通承变,其绘画开一代新风。随着岁月迁延,益见其学者型艺术家的艺术道路在当代的重要意义。作为新花鸟画的开拓者,作为传统花鸟画向现代转型的最重要的代表人物之一,他在花鸟画的传承与发展上做出了重要贡献。作为美术史论家,郭味蕖先生学识广博,著述丰赡。所著《宋元明清书画家年表》、《中国版画史略》和《知鱼堂书画录》,黄宾虹、徐悲鸿、郭沫若等先生都给予高度评价,并分别为其书题耑撰序。这些著作已成为研究中国美术史论的重要参考书、工具书。他的史论研究与艺术创作上双轨同步而取得的非凡成就,对后人产生了广泛而深刻的影响。作为美术教育家,郭味蕖先生是当代学院派花鸟画教学体系的主要创立者之一,为新中国美术事业培养了大批人才。所著《写意花鸟画创作技法十六讲》已成为当代花鸟画教学的重要教材。其直系弟子已成就卓著,再传弟子如丝不绝,并以新的画风形成了新的流派。作为文物鉴藏家,郭味蕖先生视文物为生命。富收藏、精鉴赏。其所著《知鱼堂书画录》即将出版。知鱼堂藏画多为中华绘画精品,将永恒辉耀人间。值此郭味蕖先生百年诞辰来临之际,我们特别编选当代各家对他的评论研究,以表达对这位在中国美术史上做出了重要贡献的艺术家的纪念。 Renowned painter, art historian, art educator and art collector. Mr. Guo Wei 生 was born in Weixian, Shandong Province on February 15, 1908 (the first lunar month). His life devoted himself to art creation, fine art theory research and fine art The cause of education has made outstanding contributions to the development of new Chinese art and is a model for contemporary scholars. Mr. Guo Wei 早 early years by the “May Fourth” new culture movement, 1929 into the Shanghai Art College Xi painting. After the Chinese understanding of Chinese painting should be understood, in 1937 he entered the ancient Chinese painting museum at the Antiquities Exhibition Center of the National Palace Museum and copied and studied with Huang Binhong. Appointed by Xu Beihong in 1951 to work at the Central Academy of Fine Arts Research Department, National Institute of Fine Arts. In 1956 was ordered to build Xu Beihong memorial. In 1959 transferred Central Academy of Fine Arts Chinese painting department, director of flowers and birds. During the Cultural Revolution, Mr. Guo Moxi was persecuted. In 1969, he was repatriated to his hometown in Weifang and died in 1971. As an artist, Mr. Guo Wei-qing refined his tradition and learned through changes. His painting opened up a new era of fresh air. As the years have passed, it is of great contemporary importance for Yi to see the artistic path of its scholarly artists. As a pioneer of new flower and bird painting, as one of the most important representatives of the traditional flower and bird painting transition to the modern era, he made an important contribution to the inheritance and development of flowers and birds painting. As a fine art historian, Mr. GUO Wei-tang has extensive knowledge and a wealth of books. His books, “Chronology of Painters and Painters of the Ming and Qing Dynasties in the Song, Yuan Dynasties,” “A Sketch of Chinese Prints,” and “Shui Yu Tang,” Huang Binhong, Xu Beihong and Guo Moruo, all gave highly praises and were prefaced by their respective titles. These works have become an important reference book and reference book for the study of the history of Chinese art history. His extraordinary achievements in the double track synchronization between the research of history theory and the artistic creation have a profound and profound impact on future generations. As an art educator, Mr. Guo Wei-hang is one of the major founders of the contemporary school-based flower painting teaching system and has trained a large number of talents for the new Chinese art career. The “Sixteen Lectures on Creative Writing Techniques of Flowers and Birds” has become an important teaching material of contemporary flower and bird painting teaching. His immediate disciple has made outstanding achievements. His followers are endless, and formed a new genre with a new style of painting. As a collector of cultural relics, Mr. Guo Wei-like as the cultural relics of life. Rich collection, refined appreciation. The book “Zhuxintang calligraphy and painting” is about to be published. Zhi Yu Tang Tibetan paintings mostly Chinese painting boutique, will eternal glory of the earth. On the occasion of the hundred-year birthday of Mr. GUO Wei-hong, we specially compiled the commentary of contemporary critics on him in order to express the memory of this artist who made an important contribution to the history of Chinese art.