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“新小说”的出现是现实主义小说失去相对优势的一个标志 ,其探索和实验在法国文学史上留下了重要的一页。但“新小说”的彻底“反小说”倾向导致了它在 6 0年代末的衰退。近 10年来一批年轻的法国作家推出了一批新“新小说” ,展示了小说的一种新面目 ,引起了各国评论界的热切关注和读者的普遍欢迎 ,预示着小说艺术在新世纪的变革方向。克里斯蒂安·加伊的《逃亡者》集中了新“新小说”的主要特色。
The emergence of “New Novels” is a sign that realism novels lose their comparative advantages. Their exploration and experiments have left an important page in the history of French literature. However, the complete “anti-fiction” tendency of “new novels” led to its decline in the late 1960s. A group of young French writers launched a series of new “new novels” in the recent 10 years and displayed a new facet of the novel, arousing the fervent concern of the critics in various countries and the readers’ universal welcome, which indicates that the art of novels in the new century Change direction. Kristian Gay’s “fugitive” focuses on the main features of the new “new novel.”