《宿客》创作于1939年,是阿格农3部代表性长篇小说之一。谢克德称:“在《宿客》里,阿格农的艺术创造力到到达了顶峰。”[1]邦德指出:“不像《婚礼华盖》,《宿客》在理解上几乎没有太多问题。小说的意义和语调——从开始到结束都维持在一个简单的情节框架以及一系列雷同的插曲中——几乎是不得不说的。这里有对肉体和精神的孤独的无情的全景式描绘,这种孤独不无巧合的是属于当代的,类似于毕加索‘格尔尼卡’式的力量攥住 Created in 1939, The Guest is one of Agnong’s 3 representative novels. Sheikh said: ”Agnong’s artistic creativity reached its peak in the“ guesthouse. ”[1] Bond pointed out:“ Unlike the wedding canopy, ”the" There is not much to question: the meaning and tone of the novel, which is maintained in a simple plot framework and a series of similar episodes from the beginning to the end, is almost invariably to be said: there is a loneliness of flesh and spirit The panorama portrays this kind of loneliness coincidentally belonging to the contemporary, similar to Picasso’s Guernica style grip