传统的翻译研究或从译作与原作的关系出发,或从译者的文化态度出发,但都忽视了文本接受的主体——读者的存在。本文借鉴文学理论中接受美学的有关思想,从读者的角度出发对翻译史上有关“读者关照”的现象和特点进行探讨。 Traditional translation studies either proceed from the relationship between the translation and the original or from the translator’s cultural attitudes, but all neglect the existence of readers, the subject of text acceptance. This paper draws lessons from the related theories of aesthetics accepted in literary theory and probes into the phenomena and characteristics related to “readers’ concern ” in the history of translation from the reader’s point of view.