一年多前,我在评论杨亚洲导演的电视连续剧《空镜子》的时候,说他将人生的故事艺术地演绎得“俗到深处自儒雅”。那个“深处”的“深”,是“深刻”、“深邃”的“深”,而不是“深沉”、“深重”的“深”,更不是“高深”、“艰深”的“深”。那个“俗”,是指他在人文精神上的十足的“世俗关注”和故事模式上纯正的“通俗叙事”。说他“儒雅”,是说他在一个寻常百姓人家的世俗生活里包蕴了丰厚的文化精神和睿智的人生哲理,在一个演绎寻常百姓人家的世俗生活的通俗电视剧文本里塑造了几近于典型的艺术形象,还用尽可能精美的 More than a year ago, when I was commenting on the television series “Empty Mirror” directed by Yang Yazhou, I said that he artfully interpreted the story of life as “vulgar to deep and refined.” The “deep” of “deep” is the “deep” of “deep” and “deep” rather than the “deep” and “deep”, but not the “deep” and the “deep” of “deep” . The “vulgar” refers to his purely “mundane attention” in the humanistic spirit and the pure “popular narrative” in the story mode. To say that he is “refined,” means that he secures rich cultural spirits and wise philosophy of life in the secular life of an ordinary people. In a popular drama text that depicts the secular life of ordinary people, The typical artistic image, but also with the best possible