还原那些枝枝蔓蔓去到季大纯的工作室的时候,他正在创作新作。画架上的作品与他以往略偏卡通式的风格反差很大,黑色的背景,要认真看才能发现画面的脉络。如果说季大纯之前的作品略带童趣,那么他无疑正在推翻成见、超越固有,这需要魄力和实力。市场上看涨的数字,业界的知名度,舒适的物质生活,这些都只是初级阶段解决温饱的基本问题。对于一个艺术家来说,作品能否清楚地表达所思所想,不断超越自己的过往与历史的积淀,并最终能被人理解这才是高级目标,季大纯坦言他现在都还没有成功。绘画没有止境,是不可能 He is working on a new work of restoring those branches and branches to Jidai’s studio. The artwork on the easel contrasts with his slightly skewed cartoon style in the past, and the background of the black background should be carefully checked to find the context of the picture. If Ji Dachun’s works before the playful, then he is undoubtedly overthrowing stereotypes, beyond the inherent, which requires courage and strength. The bullish numbers on the market, the popularity of the industry and the comfortable material life are just some of the basic issues in the initial stage of solving the problem of adequate food and clothing. It is an advanced goal for an artist to express clearly his thoughts and thoughts, continuously surpass his own past and historical accumulation, and finally be understood that he has absolutely no success at present. There is no end to painting, it is impossible