漩涡纹佩饰是东汉晚期伴随檀石槐鲜卑崛起而出现的标志性器物之一,是檀石槐独立自主文化政策的产物,带有明显的时代烙印。本文探讨了此类佩饰的分布地区与形制类型、出现背景与文化内涵、传播与消失等问题。 Swirl pattern decoration is the late Eastern Han Dynasty with the rise of sandalwood Xianbei emerge as one of the landmark objects, is the product of independent self-scholar Tanahigh Huaihua cultural policy, with a clear mark of the times. This article explores the distribution of such accessories and the type of formation, background and cultural connotation, spread and disappear and so on.