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岔曲始于清朝而传唱至今,约有二百余年历史。几代音乐学者针对其腔词结构关系问题进行探究,难成统一结论。笔者对其研究的历史做以回顾,以“文献考证”之法,梳理众说纷纭的不同观点,从中清晰可见诸多说法的嬗变过程。继而,依“音乐本体”研究“基因解析”之法试析小、大岔曲两令,得出小岔曲以四句腔体可填入六句或八句唱词,并可插入“数板”(或曰垛句),使其体制结构不断扩大而成大岔曲的发展逻辑。进而,在美学层面对其做以粗浅探讨。
Turnout began in the Qing Dynasty and sung so far, about 200 years of history. Several generations of music scholars to explore the relationship between the structure of their terms, difficult to reach a unified conclusion. The author reviews the history of his research, examines the divergent opinions of different opinions with the method of “literature review”, from which we can clearly see the evolution of many theories. Then, according to “music ” Insert “number plate ” (or saying sentence pile), so that its institutional structure continues to expand and become the culmination of development logic. Furthermore, it is discussed briefly in the aesthetic level.