移民文学的兴起已成为影响当今世界文艺格局的一个重要因素。法籍捷裔小说家米兰·昆德拉多年关注遗忘与记忆的文化母题 ,已成为分析当代移民创作现象的典型代表。昆德拉对移民艺术家的分类 ,折射出 2 0世纪移民艺术家曲折的文化命运 ;昆德拉流亡前后小说主题、题材、语言的选择与变化 ,反映出移民艺术家认同异质文化的心理努力 ;昆德拉作品内在的含混与矛盾 ,呈现了移民作家文化归属的复杂性。由《缓慢》、《认》、《无知》构成的“遗忘三部曲” ,致力于表达“身份”、“边界”、“认同”等“遗忘”主题 ,较好地接续了西方文学中的“去国怀乡”情结。流亡生活使流亡艺术家遭遇惨痛的文化变迁命运 ,这在某种意义上强化了艺术家对遗忘与记忆、认同与回归等人类文学母题的表达 The rise of immigrant literature has become an important factor influencing the current literary and art world. The French immigrant novelist Milan Kundera has been focusing on the cultural motif of forgetting and remembering for many years and has become a typical example of analyzing the phenomenon of contemporary immigrants’ creation. Kundera’s classification of immigrant artists reflects the tortuous cultural destiny of immigrant artists in the 20th century. The choice and change of themes, themes and languages ​​before and after Kundera’s exile reflect the psychological efforts of immigrant artists to recognize heterogeneous cultures. The inherent ambiguity and contradiction in Della’s work present the complexity of the cultural ownership of immigrant writers. The “Forgotten Trilogy” composed of “slowness,” “recognition,” and “ignorance” is devoted to expressing the theme of “oblivion” such as “status”, “border” and “identity” “To the country nostalgia” complex. In exile, exile artists suffered a painful fate of cultural change, which in some sense strengthened the artist’s expression of the humanistic motifs such as forgetting and remembering, identity and return