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新时期十余载的政通人和,催生了一批写唐太宗与魏征的好戏,在中国剧坛掀起了一股魏征热。这类戏已经不太好写了。然而,在’95广东国际艺术节亮相、由广东粤剧院一团演出的《唐太宗与小魏征》(卢凌日、梁建忠编剧),依然独具风姿,在剧情上另辟蹊径,在内涵上深入开掘,给我们送来了缕缕新意,使我们享受到一次难得的情操陶冶和审美愉悦。在这个戏里,作者并没有被史实牵着鼻子走,而是着力在“可能性”上做文章,对历史真实进行
In the new period, more than a decade of political and personnel discussions have given birth to a series of good shows about Emperor Taizong and Wei Zheng, and Wei Zhengzheng was set off in the Chinese theater. This type of show is not very well written. However, at the Guangdong International Arts Festival ’95 debut, a series of performances by the Guangdong Cantonese Opera Theater titled “Taizong and Lesser Wei” (by Lu Lingri and Liang Jianzhong) are still unique and have opened up new avenues in the plot and delved into their connotation , Gave us a bunch of new ideas, so that we enjoy a rare sentimentality and aesthetic pleasure. In this movie, the author has not been led by the fact that he has been led by history. Instead, he tries to make a fuss about “truth”