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独戏脚来自于民间,与民众的生活紧密联系。它的曲目密切关注市民文化生活的不同侧面,通过夸张、变形、戏谑的方式,对于不同时代的民间生活状态,包括婚丧、恋爱、饮食、风物、信仰等加以反映。本文从民间信仰、日常民俗、戏曲民俗等方面展开了分析,既关注这些曲目中民俗内容的表现,也讨论了其滑稽技巧的运用。
The solo play comes from the folk and is closely linked with people’s life. Its tracks pay close attention to the different aspects of the cultural life of the citizens, and exaggerate, deform, and banter them to reflect on the state of folk life in different periods, including marriage and funeral, love, food, scenery and faith. This article analyzes folk beliefs, daily folklore, traditional opera and so on. It focuses not only on the performance of folk customs in these tracks, but also on the application of their comic skills.