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关于喜剧情境的学说,翻遍我国自古以来的戏剧理论著作,可以说对此问题还未很好涉及,只是近些年这方面的论著逐渐多了起来。在西欧的戏剧理论著作中,狄德罗最早提出了这一问题,佛洛依德在他的笑论中提到这一问题,谈得最系统,最完整的还是黑格尔的美学著作,但要深入领会他的论述则颇为不易。然而喜剧情境这个喜剧美学理论问题的研究,对弄清喜剧艺术的规律却有着不可忽视的重要意义。人们对这个理论问题的深入探索,无可置疑地将对提高我国的喜剧创作有着不可低估的作用。
With regard to the theory of the comedy situation, it is arguable that there has not been a good deal of reference to the dramatic theoretical works of our country since ancient times, but only the works on this subject have been gradually added in recent years. Diderot first put forward this question in the works of drama theory in Western Europe. Freud raised the issue in his theory of laughter. The most systematic and complete talk was Hegel’s aesthetic work, However, it is not easy to understand his discourse in depth. However, the study of the comedy aesthetics theory problem in the comic situation has an important significance to understand the law of the comedy art. People’s in-depth exploration of this theoretical issue will undoubtedly have an effect on improving our country’s comedy creation.