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文章从音乐人类学的视角,采用比较的研究方法,对卡蒲毛南族(佯僙人)铜鼓文化和周边民族布依族、水族等民族铜鼓文化进行的比较研究,考察、分析和解释了卡蒲毛南族的铜鼓文化和周边民族的铜鼓文化之间的异同。文章认为平塘县境内毛南族、布依族、水族等民族的铜鼓基本上都属于麻江型鼓,这种类型鼓被外国学者称为黑格尔IV型,但是由于各民族的语言、宗教信仰、生活习俗的不同,导致并形成了各具特色的铜鼓文化。
From the perspective of music anthropology, this article uses comparative research methods to conduct a comparative study of the Bronze-drum culture of the card Pu-Maonan (Peoples of the Han Dynasty) and the Bronze-drum culture of the ethnic groups such as the Buyi ethnic group and the Shui ethnic group in the surrounding areas. Similarities and differences between the Maonan drum and drum culture and the neighboring nation. The article holds that the bronze drums of Maonan, Buyi and Shui ethnic groups in Pingtang County are basically Majiang type drums. This type of drums is called Hegel type IV by foreign scholars. However, due to the ethnic languages and religious beliefs , Different living customs, led to and formed a distinctive Tonggu culture.