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中央实验话剧院的导演田沁鑫根据萧红小说《生死场》改编并执导的同名话剧,自1999年6月上演以来,颇有影响,《读书》和《艺术广角》等著名刊物均有文字作出反应,无论这些反应的褒贬到底如何,均是萧红小说之永恒魅力的又一次证明。当我们在新世纪之初回首20世纪中国文学的时候,我们为拥有萧红这样的作家而感到幸福。当然,除了萧红,还有鲁迅、沈从文和巴金这样一些光辉的名字,共同为逝去的世纪增添着光彩。正是他们,使我的“中国现代文学史”的课堂讲授充满着沉实的内容,同时,
Tian Qinxin, director of the Central Laboratory of Experimental Arts and Drama, based on Xiao Hong’s novel “The Field of Life and Death,” adapted and directed the drama of the same name. Since its performance in June 1999, it has had an impact. Famous publications such as “Reading” and “Wide Angle of Arts” No matter how the comments and reproaches of these reactions are, it is another proof of the eternal charm of Xiao Hong’s novels. As we look back at 20th-century Chinese literature at the beginning of the new century, we are happy to have such a writer as Xiao Hong. Of course, in addition to Xiao Hong, there are such brilliant names as Lu Xun, Shen Congwen and Ba Jin, all of which together add luster to the passing of the century. It is them that make my classroom teaching of “History of Modern Chinese Literature” filled with solid content, at the same time,