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“书法入画”被视为传统文化一种独特的艺术标识,从元代时期,相关画学理路就不断涌现。在多元文化并存与价值取向也呈现多元化的当下,重新审视传统文化与多元文化当代性之间求同存异的并存关系,应是捍卫当下文化多元性价值取向发展的衍生动力。作为艺术家和教育家的黄宾虹,在汲取传统文化的基元之上,将“书法入画”文化链条纳入绘画艺术的研究对象,本文以此为切入点,对黄宾虹的笔墨观进行浅析,以期对艺术实践和绘画理论等层面的研究开拓发展空间。
“Calligraphy into painting ” is regarded as a unique art symbol of traditional culture. From the Yuan Dynasty, related theories of painting were continuously emerging. At the moment when multicultural coexistence and value orientation also appear diversified, reexamining the coexistence of seeking common ground while reserving differences between traditional culture and multicultural contemporaryity should be the driving force behind safeguarding the development of cultural pluralism’s value orientation. As an artist and educator, Huang Bin-hong draws the cultural chain of “calligraphic into painting ” into the research object of painting on the base of drawing traditional culture. Based on this, this article analyzes Huang Bin-hong’s pen and ink views, With a view to the art practice and painting theory and other aspects of research and development of space for development.