以前,我没听过王宏剑的名字。更没看过他的画。 一个美术爱好者住在欧洲,视线自然地转向巴黎、法兰克福、伦敦、纽约,很容易将现代美术同西方美术划等号,假设这中心之外都是边缘。偶尔有机会翻翻国内的美术杂志,也会发现里面不少评论文章读起来洋腔洋调,有意地生涩,仿佛在用中国字写外文,于是更觉得自己的成见没错。 Before, I did not hear the name of Wang Hongjian. Never seen his paintings. An art lover living in Europe, naturally turning his eyes to Paris, Frankfurt, London, New York, it is easy to equate modern art with Western art, assuming that the center is the edge. Occasionally have the opportunity to turn over the domestic art magazines, you will find many reviews articles read foreign languages, deliberately jerky, as if writing in foreign languages ​​with Chinese characters, so I feel that my preconceptions are true.