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“80后”写作,作为中国文学的一股新生力量,经历了一个极盛而衰的过程,与其探寻他们的文学价值,不如当之为一种文化现象更为贴切,概括其群体特征,可以看出:他们表现得崇拜孤独,却有着对朋友或家人不可掩饰的情感依赖;他们表现得很叛逆,却有着不可隐藏的保守心态;他们追求着轻松、自由的文风,却无法摆脱骨子里的伤感与绝望,即此,作为青年一代生活写照的文化意义便不彰自明。
As an emerging force in Chinese literature, writing after 1980s has undergone an ups and downs and is not as valuable as exploring its literary value. It is more appropriate for a cultural phenomenon to summarize its group characteristics , We can see that they have shown adoration of loneliness but have an undisguised emotional dependence on friends or family. They are rebellious but have a conservative attitude that can not be hidden. They pursue a relaxed and free style but can not get out of their bones The sense of sadness and hopelessness, that is to say, the cultural significance of portraying as a young generation is not self-evident.