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林语堂说:“绘画殆为中国文化之花”。中国画早在二千年前的战国就已出现,并形成了深厚的美学传统。抒情写意是中国传统绘画最突出的美学传统与特征之一,历代画家也秉承了对审美情感及其表现方式的重视。所谓审美情感是艺术家在创作过程中产生的,它既是艺术创作的动力,又是对表现对象的态度和体验。从最广泛的意义来说,绘画作品总带有画家个人的主观情感因素,具有情感表现的性质,所以审
Lin Yutang said: “Painting is the flower of Chinese culture”. The Warring States that existed in Chinese painting two thousand years ago have appeared and have formed a profound aesthetic tradition. Lyrical freehand brushwork is one of the most prominent aesthetic traditions and traits in Chinese traditional painting. Throughout the ages, painters also uphold the importance attached to aesthetic feelings and their expressions. The so-called aesthetic emotion is produced by the artist in the creative process. It is not only the power of artistic creation but also the attitude and experience of expressing objects. In the broadest sense, the painting always carries the individual subjective emotional factors of the artist and has the nature of emotional expression. Therefore,