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从上古祭祀之兴演变而来的政教之兴,伴随春秋“用诗”时代的到来而兴起,经孔子及其弟子对“诗三百”的解说而形成,至汉代形成的“以喻释兴”的经学化解读方式则完成了兴的政教理论建构。其话语模式有别于祭祀之兴的隐喻象征而呈现出美刺寄托的特点。伴随着经学的衰微,诗学之兴以其言有尽而意无穷的话语表达方式在齐梁时期兴起,经司空图、严羽、王士禛、王国维等人的不断探索而成为中国诗学追求的最高的抒情境界。而政教之兴在发挥其美刺功能的同时,也呈现出向诗学之兴回归的趋势。诗之兴与易之象、史之笔共同构成了中国传统文化含蓄蕴藉,意味无穷的话语模式。
The rise of the secularism of politics and religion, which evolved from the worship of the ancient sacrifice, accompanied by the arrival of the Spring and Autumn Period “Poetry” era, formed by the explanation of “Three Hundreds of Poems” by Confucius and his disciples, The metaphorical interpretation of Xing "mode of interpretation of the theory has completed the construction of the theory of politics and religion. Its discourse pattern differs from the metaphorical symbol of sacrificial offering to show the characteristics of the United States. With the decline of Confucian classics, the development of poetic theory with its endless meanings expresses in the period of Qi and Liang. It has become the pursuit of Chinese poetics by the continuous exploration of Sikong Dialect, Yan Yu, Wang Shizhu, Wang Guowei and others The highest lyrical realm. While the rise of politics and religion exerted its beautiful pricking function, it also showed the tendency of returning to poetry. The flourishing of poetry and the image of Yi and the history of the pen constitute the implicit meanings and meanings of the Chinese traditional culture.