《冬》是导演邢健的第一部影片,采用黑白片的表达方式,具有一定寓言性质。电影蕴含了中国传统文化,带有一定的宗教色彩。本文尝试从佛教和道教的理论出发,剖析《冬》中表现的因果轮回思想、审美理念、人与自然的关系等元素,从而揭示电影表征的思想主题和内在意涵。 “Winter” is director Xing Jian’s first film, using black and white film expression, has a certain fable nature. The film contains Chinese traditional culture, with a certain religious color. Based on the theories of Buddhism and Taoism, this paper attempts to analyze the elements of the reincarnation, the aesthetic idea and the relationship between man and nature in the winter, revealing the ideological theme and intrinsic meaning of cinema representation.