文艺作品中的民俗呈现,赋予作品新的审美形态与解读视角。本文拟以叶广芩的《采桑子》为例,从多姿民俗生活相的展现,还原老北京清朝贵胄的民俗生活,以及民俗观念熏染下个体精神气质的养成。以“京戏”这一地方艺术为个案,分析金家人在时代变幻期的真实生存境遇。最后,结合作家的个人经历,探究叶广芩以民俗入文学的创作动因,揭示作者的生命感怀与人文意识。 The folk custom in literary and artistic works presents the new aesthetic form and interpretation angle of the works. This paper intends to use Ye Guangqin’s “Cangsanzi” as an example, from the multi-ethnic folklore show, to restore the old Beijing Qing Dynasty Gui Liao’s folk life, as well as the concept of folklore under the influence of individual spiritual temperament. Taking the local art “Peking Opera” as a case, this article analyzes the real life situations of the Jin family in the changing times. Finally, combined with the author’s personal experience, this article explores the creative motivation of Ye Guangqin’s folklore into literature and reveals the author’s sense of life and humanistic awareness.