吴曾祺的《涵芬楼文谈》是近代一部较为完整的写作理论专著。本文试图从创作主体方面入手,发掘、概括吴氏以“识见、笔力、意匠、性灵”为核心的作家修养理论,探析其中的理论精髓与独创之处,希冀为今天的写作理论研究及创作提供借镜。 Wu Zengqi’s “Han Fen Lou Wen Tan” is a more complete writing theory monograph in modern times. This article attempts to start from the main body of creation, excavate and summarize Wu’s writer’s cultivation theory with “insight, pen, artifice and spirituality as the core”, probe into the essence of the theory and its originality, and hope to provide for today’s writing theory research and creation By mirror.