诞生于虞舜时代的《韶》乐,集诗、乐、舞于一体,并以“金声玉振”“八音齐鸣”的恢弘场景,引得“凤凰来仪,百兽率舞”。自夏高周以至秦汉魏晋南北朝,再至唐宋元明清,数千年来,《韶》乐一直作为国乐,以乐载礼,起着“传尧舜之德而教化民风”的作用。周武王鼎定天下之时,太公姜尚因首功而带《韶》人齐。在齐国改革开放、“因俗简礼”的国策影响下,《韶》人齐后适应当地民情民风,吸收当地艺术营养,从内容到表演形式都有所丰富,从而增强了艺术表现力,更贴近了东夷传统乐舞,展现了新的风貌,对齐国礼仪教育起到了极大的推动作用。 “Shao” music was born in the Yu Shun era, poetry, music and dance in one, and to “Golden Voice Yu Zhen ” “Eight Yin Qi Ming ” grand scenes, attracted dance“. Since the summer of high and even the Qin and Han Dynasties, Wei, Jin and Northern and Southern Dynasties, and then to the Tang, Song, Yuan, Ming and Qing Dynasties, thousands of years, ”Shao“ music has served as a national music, with music, played the ”pass Yao and Shun virtues and educate people“ . Zhou Wu Wangding set the world, too young Jiang because of the first Gong and ”Shao“ Qi people. Influenced by the national policy of Qi ’s reform and opening up and due to its simplicity and simplicity, ”Shao" people adapt themselves to local customs and practices, absorb local artistic nutrition, and enrich their content and performance forms, thus enhancing their artistic performance Force, more close to the traditional music and dance Dongyi, showing a new style, alignment etiquette education has played a significant role in promoting.