《丛薄行诗意图》与《清高宗大阅图》是以乾隆皇帝为主角的两幅场面宏大、气势非凡的巨幅画卷,是意大利画家郎世宁奉旨于乾隆二十三年十月间先后绘成。乾隆皇帝为什么要在这一年同时绘制两幅巨画?它们之间有无联系?绘制这两幅画卷的意义何在?本文通过对画面内容的分析和对清军平息南疆大小和卓木叛乱时布鲁特民族主动归顺这一重要历史事件的论述,阐明了乾隆皇帝在平准平回战争中,以不同的民族宗教政策,区别对待有别于满蒙民族的信仰回教的布鲁特部,从而顺利推进了清廷统一西北的战争。这两幅巨图,既体现了乾隆优待礼遇布鲁特部的重要举措,又是清代形成多民族国家的历史见证。 “Cong thin poetic intent” and “Qing Gaozong read map” is based on Qianlong emperor as the two scenes of the grand, imposing huge picture scroll, is the Italian painter Castiglione in twenty-three years in October Painted. Why did Emperor Qianlong draw two huge paintings at the same time this year? Is there any connection between them? What is the significance of drawing the two paintings? By analyzing the content of the picture and the Qing repression At the time of the Brutus nation’s argument of this important historical event, it expounded that the Emperor Qianlong discriminated against the Bhutan ministry of Muslims different from the Manchurian nation in different ethnic and religious policies during the war of return to peace , Thus smoothly promoted the Qing unified Northwest war. These two gigantic figures not only embody the important measures taken by Emperor Qianlong in treating Bruti, but also witness the historical formation of the multi-ethnic state in the Qing Dynasty.