西洋画在明代中后期已大量传入中国,但对本土绘画的影响甚微。仅在民间工艺装饰、木版插图中,偶见题材或技法上的参用。满清入主中原后,情形很快有了变化。清宫兴起中西融合的“海西”画风,开创了院画新体。但综观这段画史可以发现,清宫洋风绘画的兴起并非源于绘画上的革新,而是清帝对西学的爱 Western painting in the mid and late Ming Dynasty has been massively introduced to China, but the impact of local painting is minimal. Only in the folk craft decoration, woodcut illustrations, occasional themes or techniques of reference. Manchu into the Central Plains, the situation quickly changed. The rise of Qing Dynasty Chinese and Western fusion “Hercynian ” style, creating a new body hospital painting. However, when we look at the history of this painting, we can see that the rise of the Qing style painting in the Qing dynasty was not derived from the innovation in painting but rather the Qing emperor’s love of western learning