赋、比、兴是诗的三种表现手法。朱熹论《国风》、《离骚》,探究诗旨,兼及表现手法,于每章分别标注:赋也、比也、兴也。全首诗只用一种手法,为单用;各章分别用不同手法,为混用;一章兼用两种手法,为合用,称赋而比也……本文以朱熹的《风》、《骚》研究为例,对其活用情况作说明,特别《风》诗所无而为《离骚》所独具的“比而赋也”一格,试作探讨。 Fu, than, Xing is the poetry of the three ways of expression. On the “Guofeng” and “Lisao”, Zhu Xi explores the poetic aims and methods of expression, and each chapter is marked separately: Fu Ye, Bi Ye, Xing Ye also. All the poems only use one technique, as a single use; different chapters were used in different ways, for the mix; a chapter and the use of two techniques, for the combination, said Fu than ... ... In this paper, Zhu Xi’s “Wind”, “Sao ”As an example, to illustrate its utilization, especially the“ wind ”poetry without“ Lisao ”unique “ than Fu also ”a grid, for discussion.