尹丽川的《牛郎织女》入选了今年的戛纳电影节“导演双周”单元,而她自己也被《综艺》杂志评为中国电影新势力中最值的关注的十位青年导演之一。不禁会有人问,这位以诗人身份成功转型的女导演何以一出道就能担此殊荣?联想去年的《公园》,会知道,尹丽川对生活的观察和理解有很好的角度,所以她的小文艺电影立足真实,反映时代,却又感情到位,令观者很舒服,很享受。没有大是大非,没有宇宙苍穹,无论是《公园》还是《牛郎织女》,尹丽川坚持朴素的电影原则,真诚爱护她作品中的人物,给他们最高的尊重,让 Yoo Young-chuan’s “Cowboy Weaver” was selected for this year’s Cannes Film Festival “Director’s Fortnight” and she was also named “Variety” magazine one of the top ten young directors of the most influential Chinese movie powerhouses. One can not help but wonder if this successful director of the poet’s successful transition will be able to afford this award. Last year’s “Park”, Lenovo knew that Yin had a good perspective on life’s observation and understanding, so she Small literary film based on the real, reflecting the times, but feelings in place, so that the viewer is very comfortable, very enjoyable. No big and no big names, no universe sky, whether it is “Park” or “Cowherd and Weaver”, Yin insists on simple movie principles, sincerely love her works, give them the highest respect, let