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刘易斯与乔伊斯这对文坛上的“死敌”之间的“反合作”关系既对立又合作,是两次世界大战之间英美现代主义文学发展过程中不同理念和路径的强力碰撞。乔伊斯从刘易斯对自己作品的无情鞭挞中听到了不同的声音,看到了不同的视角,这对其提高和完善写作技巧不无益处;乔伊斯作为反击而在《芬尼根的守灵夜》中大量影射、戏仿刘易斯的哲学理念和作品内容,不仅丰富了该小说的写作素材,也提升了其思想深度;刘易斯的乔伊斯评论,不仅激发了乔伊斯的创作灵感,也提出了诸多后人无法回避的观点,更首创了对乔伊斯作品进行文化批评的视角和方法,在客观上为打造一个开放、包容的乔伊斯研究空间奠定了基础。
The antagonistic and cooperative relationship between Lewis and Joyce on the literary arena of “anti-rival” is the strength of different concepts and paths in the development of British and American modernist literature between the two world wars collision. Joyce heard different voices from Lewis’s ruthless flattery of his work and saw different perspectives, which were not good for improving and perfecting his writing skills. Joyce, on the defensive night, "In a large number of reflection, imitating Lewis’s philosophical ideas and works content, not only enriched the novel’s writing material, but also enhance the depth of his thought; Lewis’s Joyce’s comments, not only inspired Joyce’s creative inspiration, but also put forward Many unavoidable views of future generations, but also pioneered the perspective and methods of cultural criticism of Joyce’s work, which objectively laid the foundation for creating an open and inclusive Joyce’s research space.