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在2007年的一篇文章中,笔者曾经这样描述文学在当下社会中的位置:上世纪末到本世纪初,中国文学格局变化可以用一“缩”一“胀”来描述。“缩”指的是传统意义上的“文学”在整个社会生活中的位置日益边缘化,文学已经很难借助自身的力量或业内人士的运作引发社会的关注,创造合理的收益;“胀”则指的是文学因素藉由大众传媒、出版、影视、广告等主流媒体的运作,外扩至社会生活的各个领域。传统意义“文
In an article in 2007, I once described the position of literature in the present society as follows: From the end of the last century to the beginning of this century, the changes in the pattern of Chinese literature can be described as ”contractions“ and ”bulging.“ In the traditional sense, ”literature “ has become more and more marginalized in the whole social life. It has been very hard for literature to draw the attention of the society by means of its own strength or the operation of professionals, and to create a reasonable return Expansion refers to the fact that literary factors expand to all areas of social life through the operation of mainstream media such as the mass media, publishing, film and television, and advertising. Traditional meaning ”text