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速写,作为在美术中最为常见的表现手段和基础教学手段之一,历来是美术世界当中不可或缺的一部分。纵观世界的美术发展史,无论是文艺复兴时期的古典巨匠,还是后现代主义时期的大师,都留下了许多让人过目不忘,印象深刻的经典作品。这些作品往往通过简洁的线条,抑或是奔放的大面积明暗色块的构成,构成了极为准确而又不失灵动的艺术形象。这不仅得益于大师们本身的艺术素养,更是与速写本身所具有的,强调对神的把握,以及对形的概括的特点密不可分。而这一点,又恰恰和中国传统绘画当中的“六法”不谋而合。中国传统绘画中对线性的追求,和对水墨色彩恣意挥洒的率性,无不和速写的特点相得益彰。这不得不叫人感叹艺术的共通性。
Sketching, as one of the most common means of expression and basic teaching in art, has always been an integral part of the art world. Throughout the history of art development in the world, both the great masters of the Renaissance period and the masters of the post-modernist period left many memorable and impressive classic works. These works are often composed of simple lines, or bold, large-scale light and dark color blocks, forming a very accurate and yet Smart art image. This not only benefits from the artistic accomplishments of masters themselves, but is also inseparable from the sketches themselves, emphasizing the mastery of God, and the generalization of shapes. And this coincided exactly with the “six laws” in Chinese traditional painting. The pursuit of linearity in Chinese traditional painting, combined with the arbitrary and slickness of ink color, complement each other perfectly with sketches. This has to make people lament the commonality of art.