1978年,中国共产党第十一届三中全会胜利召开,从此中国社会开始进入一个伟大变革的时代,这个新的历史阶段,也就是我们通常所说的“新时期”。新时期的社会变革,既带来了从经济生活、政治生活到文化生活的全面而深刻的社会变化,同时也带来了人们在生活方式、思维方式以及人生价值观念方面的巨大变化。人的自我主体意识开始觉醒,思维的多样性慢慢被人们接受,个体精神与个性差异逐渐得到尊重,所有这些导致人们在文学艺术观念以及人们的审美意识、审美心理上的巨大变化,这些变化经由文艺理论家们的进一步探索和理论总结,最终汇成一种强大的思想解放的潮流,为我国文艺理论带来了蓬勃发展的新局面。被过去捧得有些神圣化了的马克思主义文艺理论,也在这种思想解放的潮流中,开始回归到学术层面,并在这一层面得 In 1978, the victory of the Third Plenary Session of the Eleventh Central Committee of the Communist Party of China was held. Since then, Chinese society has begun to enter an era of great change. This new historical stage, which we usually call “the new period.” The social change in the new era brought about a comprehensive and profound social change from economic life, political life to cultural life, and brought about tremendous changes in people’s lifestyles, ways of thinking and life values. People’s awareness of self-subjectivity begins to awaken, the diversity of thinking is gradually accepted by people, and the differences in individual spirit and personality are gradually respected. All these have led to great changes in the concepts of literature and art as well as people’s aesthetic awareness and aesthetic psychology. These changes After further exploration and theoretical summary by the literary theorists, it eventually converged into a powerful trend of ideological emancipation, bringing a booming new situation to our literary theory. The sacred Marxist theory of literature and art which was blinded by the past also began to return to the academic level in the trend of emancipating the mind and at this level