翻开古今中外建筑史和壁画史可以看到,与建筑相结合的壁画立、平面的构筑方式大体可分以下几种类型:一种是在墙面上现场整体作画(包括墙面、天棚、岩壁手工雕刻、彩绘、白描),或者包括有的画家尝试现代喷涂墙上作画;又一种是方、矩型预制板块格栅式组合壁画(我国古老的汉画砖及古代、现代陶壁画均属此种形式);再就是本文所推崇介绍的壁画的新模式,它是山东建筑工程学校青年画家刘玉安先生为主在众多的同志的支持下和画家先辈们的关照指导下,历经近四年的呕心沥血的劳作所完成的山东省建校图书馆借阅厅内《永恒的韵律》(80余m~2)的构筑形式。该幅巨型长卷以人、马、、鸽为形象组合画面,其气势雄伟的 Open ancient and modern architecture history and history of murals can be seen, combined with the architectural murals legislation, the construction of the plane can be divided into the following general types: one is the overall wall painting site (including walls, ceiling, Wall painting, hand-carved, painted, and white sketches), or some artists try modern painting on the wall. Another is square and rectangular prefabricated grille combo murals (ancient Chinese Han Dynasty bricks and ancient and modern Tao murals Are all in this form); Then there is a new model introduced by this article. It is a young painter of Shandong Architecture and Engineering School, mainly under the support of numerous comrades and under the guidance of the painters’ predecessors. After nearly four Years of painstaking work done by Shandong Provincial Library Lending Hall “eternal rhythm” (more than 80 m ~ 2) form. The giant scroll with people, horses, pigeons as the image combination of images, its magnificent momentum