异者艺也,大异者大艺也,无异不足以言艺也。因此,我全神贯注于个人风格的开发。风格要非常独特。个人风格与传统及其他画家之间的反差越大越好。不履坦途。所谓坦途不仅仅指平坦的路,对于一个艺术家而言,凡是他人走过的路,不管它实际上多么坎坷,皆应视作坦途而弃去不顾。笔墨不厌其精,观念不厌其新。笔墨的好坏决定一幅画作是否耐看,是否有味道,是否激动人心。观念的新旧决定一个画家是弄潮儿,还是随波逐流者。徒有笔墨而无现代观念,易落俗套,而且陈旧,没有新鲜感。徒有现代观念而无笔墨,易落哗众取宠境地,如无根之木、无源之水。不拉磨。驴子拉磨不需要思想,拉一辈子也绝对拉不出名堂。画家不可以没有思 Different alien art also, big differences are big art, no less than art. Therefore, I concentrate on personal style development. The style is very unique. The contrast between personal style and tradition and other painters is as good as possible. Do not stomp way. The so-called smooth way not only refers to the flat road, for an artist, no matter what other people’s way, no matter how rough it is, should be treated as smooth and discarded. Pen and ink are not tired of its essence, the concept never tired of its new. The quality of a pen and ink decides whether a painting is resistant, whether it has taste or whether it is exciting. Old and new ideas determine whether an artist is a beach-goer or a follower. There is a pen and ink without a modern concept, easy offensive set, and outdated, no freshness. Only a modern concept without pen and ink, easy offended public favor, such as rootless wood, passive water. Do not pull mill. Donkey pull grinding does not require thinking, pull life never pull out of fame. Painter can not think without thinking