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画家心语画者,度物象而取其真。自然形态,熟谙于胸,形象神理,宛在目前,写气图貌既要随物宛转,又要与心徘徊,则下笔成势,自然神妙。只有穷究造化,意出古今者,方可泄胸中之丘壑,泼纸上之云山。大抵庙堂之上,多得工能之美;山林之间,咸逞放逸之才。心游绘事,举意皆从笔墨而出。夫笔墨精微者,尚以澄怀味象,应会感神,追古人之懿范,道今世之意象,自非灵心妙悟,感而遂通者,不学而知之,孰能笔墨哉。昔古从今,能画者众,善画者次之,而精画者甚微。此非弃置载籍,不事学习,侈言书画,羁迹朝市而又乐此不疲者所能为也。
Painter Emotional painter, degree of image and take its truth. Natural form, familiar with the chest, the image of God, Wan at this moment, writing a picture both with the object Wandering, but also wandering with the heart, the pen into a potential, natural magic. Only poor study of good fortune, Italy and ancient meaning Italy, before the hatchet in the hills, Yu paper on the Yunshan. Mostly on the temple above, more than the beauty of workmanship; mountains, salty brave liberation. Heart Tour painted things, all intended from the ink out. Fine brush ink, still to Cheng Huai taste, should feel the spirit, chasing the ancients of the ancients, the present and the image of the world, since the non-soul-heart Miao Wu, the sense of those who pass, do not learn to know, . Since ancient times, can draw the public, followed by good painter, and the artist is minimal. This non-discarded books, not learning, extravagant painting and calligraphy, the streets and the streets can enjoy it.