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素描作为一种独立的艺术样式一开始就受到大师们的特殊重视,由于排除了色彩因素,它忠诚地反映着艺术家面对自然所感知和认知的全部内容,同时它也清楚地反映着艺术家对艺术的本质态度和艺术家本人品格的流露。众多的艺术家作为探索自己的艺术风格的形成也都愿意首先在素描这个领域内自由驰骋、反复尝试以寻找某种契机。张英超毕业于我院油画系,长期在师范系从事素描教学,他为人作风严谨、善思索、勤实践,特别是近年来,他的创新精神和现代意识强烈地在他的素描作品中散发出来,使他的作品显示出一种新的生机。张英超在素描中竭力冲破传统样式的束缚,他在《静物1号》、《静物2号》中首先一反单一命题的限制,而在画面中强调了原本毫无联系的事物的组合和构成,淡化传统静物的物体组成在内容上的逻辑性,以及通常的桌面或地面作为静物载体的消失,使我们视觉上习惯的三维空间的表现也变得毫无意
As a standalone art style, sketch was given special attention by the masters from the outset. Due to the exclusion of the color element, it faithfully reflects the entire content of the artist’s perception and cognition of nature. At the same time, it clearly reflects the artist’s The nature of art and the artist’s own personality revealed. A large number of artists are willing to explore the area of sketching in this field as they explore the formation of their artistic style. Zhang Yingchao graduated from the Department of Oil Painting in our college. He has long been engaged in sketch teaching in the department of normal education. He is a man with rigorous style, good thinking and practice. Especially in recent years, his innovative spirit and modern consciousness are strongly disseminated in his sketches , So that his work shows a new vitality. Zhang Yingchao strove to break the shackles of the traditional style in his sketches. In his article Still Life 1 and Still Life 2, he confronted the one-antinomial proposition first and emphasized the combination and composition of the originally unrelated things , The logic of content in desalinating traditional still objects and the disappearance of customary desktops or terrains as carriers of still life have rendered nothing in our three-dimensional, visually customary space