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2012年2月,在查找李叔同油画《半裸女像》相关流传资料时,笔者于陈小从著《图说义宁陈氏》一书中看到一帧名为《中华美术协会本部纪念撮影》(图1)的黑白照片图像。照片图像十分清晰,引起了笔者的极大兴趣。图像中共七人,成松散两排站在一砖构建筑的大门外,此建筑有西方建筑的风格,在门两边是半圆形砖构立柱,门前一两米的距离处,两边也是砖砌的圆柱,根据四根立柱可判断这是一处应该是柱廊
In February 2012, when looking up the circulating materials about the semi-nude portraits of the oil painting by Li Shu-tung, I read an essay titled “Commemorating Summary of the Headquarters of the China Art Association” Figure 1) black and white photo images. Photo images are very clear, attracted great interest of the author. The image of a total of seven people, into a loose two rows standing outside the gate of a brick building, the building has the style of Western architecture, on both sides of the door is a semicircular brick column, at a distance of one or two meters in front of the brick on both sides of the brick Pillars of the column, according to four columns can be judged this is a colonnade should be